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Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.And Barras pleased her. His distinguished appearance and manners contrasted with those of her present surroundings, and recalled the days when she lived amongst people who were polite and well-bred, knew how to talk and eat and enter a drawing-room, and behave when they were in it; and who wore proper clothes and did not call each other citoyen, or any other ridiculous names, and conversation was delightful, and scenes and memories of blood and horror unknown. It may well have been at this time that she began to yearn after that former existence she had been so rashly eager to throw away.<024>

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Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.And Barras pleased her. His distinguished appearance and manners contrasted with those of her present surroundings, and recalled the days when she lived amongst people who were polite and well-bred, knew how to talk and eat and enter a drawing-room, and behave when they were in it; and who wore proper clothes and did not call each other citoyen, or any other ridiculous names, and conversation was delightful, and scenes and memories of blood and horror unknown. It may well have been at this time that she began to yearn after that former existence she had been so rashly eager to throw away.<024>
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THREE:Mme. de Montesson died in February, 1806, leaving the whole of her fortune to M. de Valence, except one or two trifling legacies and 20,000 francs to Mme. de Genlis, and, as her brother was then not well off, Mme. de Genlis added her 20,000 francs to his.Joseph Vernet had a little son of whose talent for drawing he was very proud; and one day at a party where his friends joked him on his infatuation, he sent for the child, gave him a pencil and paper, and told him to draw.
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THREE:With the deepest reluctance Louis XVIII. yielded to what he was assured to be an absolute necessity and allowed, as Napoleon had found it necessary to allow, more than one even of the regicides, who had survived and were powerful, to hold office during his reign. Their powerful support was declared to be indispensable to the safety of the monarchy, and the union of parties which he hoped to achieve.Their property had been confiscated, their estates seized, and their h?tels and chateaux either burnt or sold.
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THREE:I hope not, said the Queen, we shall see. And she rang the bell. Campan, the King has an order to give you.Well, then, give us the list for you have it in your bosom! And one brutal fellow tried to tear her corsage to get it.
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    TWO:And yet there was one: a young, pale, sickly-looking Italian, who lived in a third-rate inn, wore a shabby uniform, and frequented the parties of Barras and the rest. He was not a conspicuous figure nor a particularly honoured guest; his military career had been apparently ruined by the spite of his enemies; he seemed to have no money, no connections, and no prospects. But in a few years all of themall France and nearly all Europewere at his feet, for it was Napoleon Buonaparte.
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    TWO:Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.The splendid ceremony of the benediction of the Neva by the Archimandrite, in the presence of the Empress, the Imperial family, and all the great dignitaries, deeply impressed her.
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The high rank, great connections, and splendid fortunes of the daughters of the Duc dAyen caused them to be much sought after, and many brilliant marriages were suggested for Pauline, amongst which they chose a young officer of the regiment of Artois, proposed to them by a relation of his, the Princesse de Chimay, daughter of the Duc de Fitzjames. The young Marquis Joachim de Montagu was then nineteen, had served in the army of Spain, and belonged to one of the most ancient families of Auvergne.In spite of his friendships with the leaders of the Revolution, his adoption at first of many of their ideas, and the fte Constitutionelle he gave in their honour, M. de Fontenay, like many others, began to see that things were going much further than he expected or wished. He was neither a young, foolish, generous enthusiast like La Fayette, de Sgur, de Noailles, and their set, nor a low ruffian thirsting for plunder and bloodshed, nor a penniless adventurer with everything to gain and nothing to lose; but an elderly man of rank, fortune, and knowledge of the world, who, however he might have tampered with the philosophers and revolutionists, as it was the fashion to do, had no sort of illusions about them, no sympathy whatever with their plans, and the greatest possible objection to being deprived of his title of Marquis, his property, or his life. In fact, he began to consider [289] whether it would not be more prudent to leave the country and join M. Cabarrus in Spain, for he was not separated from his wife, nor was there any open disagreement between them. They simply seem to have taken their own ways, which were not likely to have been the same. Trzia was then much more inclined to the Revolution than her husband, believing with all the credulity of youth in the happiness and prosperity it was to establish. Of her life during 1791 and the first part of 1792 little or nothing is known with any certainty, though Mme. dAbrants relates an anecdote told by a Colonel La Mothe which points to her being in Bordeaux, living or staying with her brother, M. Cabarrus, and an uncle, M. Jalabert, a banker, each of whom watched her with all the jealousy of a Spanish duenna, the brother being at the same time so disagreeable that it was almost impossible to be in his company without quarrelling with him.Marie Antoinette spoke to the latter about it, and of course he indignantly denied all complicity, but confessed that the libel had been sent him in an envelope, adding that he had thrown it into the fire, and if any of his people had been more imprudent he would dismiss them at once.
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